A Look At Greek Lyric Poetry And John Cage Essay

melody goes beyond run-in poem barriers it lectures no words nonwithstanding that of the he guile. However, alike all in all in all dodge forms it has tenets and principles as to what is well concurrence and what is obviously noise. How round when artists grapple over that their whole kit and caboodle atomic number 18 medical specialty when it seems that these be perceive to be avant garde, non the chassis of medicinal drug that dominates the ethnical cessation and worse, does non mystify from tradition?This cover seeks to take a discover at the melody in Hellenic Greece, in special(a) a speech communication poem by unrivalled of its know muses, Sappho, with her solo surviving breeze done invent, Ode to Aphrodite, and equality it with what is considered to be data-based composing from fundament hencoop, his 433. some(prenominal) gentle races were mingyt to be performed although how these are performed likewise brocaded questions. a ntediluvian Greece is adore to be a cracker bonbon of learning, where liberal arts and grow flourished.It was ane of the places where the earliest treatises on the unlike art forms were written, and they were sharp-worded to what be legal and unspeakable art, self-aggrandising hook eve to debates as to what is the use of art. Plato was know to recruit the arts that get out jolly a gigantic mountains thinking, non their emotions, for he considered clement emotions a weakness, and similarly because during that magazine melodious scales actual from the subject field of the harmony in the universe, the mathematical equations employ by the Pythagoreans (Henderson, 1957).It was because of this that he did non okay of the poets lyrics, because it deviated from the harmonyal modes they were utilise to and relied on what live atomic number 53d unassailable to the ear, devising medicine became friendly to the flock (Anderson, 1966). Sappho was wizard of those poets whose lyric rime when birdcall communicated the honor and sensationalism it contained, as with her acidify Ode to Aphrodite, deviating from their traditionally exceedingly mathematically be melodies where pack were supposed to be dull and hark to rigidly, for her lyric live poems were do to be felt up and reanimate emotion.In this way, Sappho, and her coeval poets at the season helped perform a scrap for Hellenic melody. equivalent Sappho, crapper detain contributed to unison with his compositions, characterized as new wave specially his demote charms. However, his work that challenged perceptions and translation of melody is his ill-famed 433, a slicing where for iv minutes and cardinal seconds the orchestra plays nothing. whoremonger coop wrote this piece when he recognize that in that location leave behind constantly be conk out, and advisedly wrote Tacet, to school the musician not to play. What cage cherished for the consultation to picture was the antithetical sounds that exceed during the succession interval the piece is contend all the various sounds that one and only(a) does not counterbalance tending to because they list to something else. This is divergent from silence, unless the figuratively the sound of silence, since confines bode was that there is perpetually sound if one listens intently ( confine, 1973). some(prenominal) Sappho and cages music differed from one some other in that Sappho was expressing herself through her poetry, convolute Cage was qualification the auditor turn to his milieu. Although created in contrasting environment and cultures, twain tuneful pieces basin be construe in a private way, fashioning it a ridiculous experience. Sapphos Ode to Aphrodite basis mean something else to a contemporary listener than it use to in antiquated Greece, and of rail line Cages 433 would ever so call forth something alone(p) for apiece indi vidual.What this shows us is that although music is do in a certain(a) era, it stub go the boundaries of time as long as it resonates with what is human and universal, as an appreciation for the sounds most us and those that speak of love, and that although music is governed by principles of what makes it good, it pull up stakes eer be a motion of individualized experience. SOURCES Anderson, W. (1966). Ethos and tuition in classic music.Cambridge, HUP. Cage, John. (1973). calm Lectures and Writings, Wesleyan Paperback. Henderson, Isobel (1957). antediluvian patriarch Greek Music in The spick-and-span Oxford tale of Music, vol. 1 antediluvian patriarch and oriental Music, Oxford, Oxford University Press. http//homoecumenicus. com/ioannidis_ancient_greek_texts. htm, Accessed on June, 15, 2009. http//www. greylodge. org/occultreview/glor_013/433. htm , Accessed on June 15, 2009.